Then I saw Odilon Redon's version, and I fell in love with it immediately. It's a much less literal depiction of the same event, but all the more surreal and haunting because of its haziness.
I get a profound sense of melancholy and quite grief from gazing at it. It doesn't have the same theatricality as Millais'. Somehow it seems extraordinarily peaceful as well.
R.I.P. Ophelia
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